Archive for August, 2009

COFA student invited to Harvard Conference on climate change

Posted in News on August 31st, 2009

Peter Charuk, Glacies Lux series

Peter Charuk, Glacies Lux series

COFA PhD candidate Peter Charuk has been accepted as one of only 16 Australian students to attend the “Climate: Science + Humanities” conference at Harvard University in March of 2010.  The conference looks to bring together 40 graduates from China, Australia and the U.S. to present their global perspectives on the climate and climate change from three very different national bases, aiming to highlight research works that display genuine disciplinary crossover. Half the participants will be from humanities and social science disciplines, and the other half from the sciences.
Peter Charuk decided to apply to the conference as he thought it would be a very rare occurrence for an artist to speak at such an event as the Harvard Conference.

“There is a massive amount of work being done on climate change by artists but they seem to go unheard. Scientific results seem to dominate the airways but I feel that other voices can contribute just as well, by providing alternate points of view and different ways of seeing the world,” explains Charuk.

Charuk recently held an exhibition at the Western Plains Cultural Centre entitled Perspectives.Art.Ecology. The exhibition was a retrospective body of work spanning Charuks’ 30 year long career as an artist, and included collaborative works between Charuk and regional artists Kim Goldsmith and Gail Naden. Charuk has been researching the natural environment and the impact humans have on it for many years. His first major body of work, a series of large photo- etchings entitled Alternate Answers, 1980, combined original newspaper clippings, photographs, sketches and writings that reflected the global ecological, scientific and political issues associated with the energy crisis of the late 1970’s.  More recently Charuk has been researching work for his PhD in the School of Media Arts at COFA, looking at the experimental investigation of seen and unseen phenomena and its artistic re/construction using poetic methodology. Put more simply, Charuk elaborates, “In my work there is an interaction with mediated scientific methodologies and mythological interpretations of water as phenomena, such as its material form as ice. This new work investigates light, water and ice as ingredients of transitional elemental states, and the pursuit of light transmission and optic phenomena, like frozen water acting as a lens.”

Peter Charuk has had an extensive career in the visual and electronic arts. His experience includes exhibitions in the US, Belgium, UK, and numerous Australian Galleries.

For more information on Peter E. Charuk please visit: http://www.petercharuk.com/

For more information on Climate: Science + Humanities conference at harvard in 2010, please visit: http://www.go8.edu.au/index.php?option=com_content&task=view&id=236&Itemid=192

2009 Blake Prize for Religious Art

Posted in Awards, Events, Exhibition on August 26th, 2009

2009blakeprize

The Blake Prize for Religious Art is one of the more prestigious art prizes in Australia. For 58 years it has been awarding a prize for works of art that explore the subject of religious awareness and spirituality. Unlike other art prizes that are awarded for distinct subject areas such as landscape or portraiture, the Blake has always invited a much more open, personal and idiosyncratic response, so much so that it has earned the criticism, ire and sometimes applause of critics and the public alike.

This year COFA is represented in the Blake Prize Exhibition by several members of staff and Alumni, including Dr Phillip George and Jasper Knight. Among the other entries are Kate Briscoe, Katthy Cavaliere, Tanya Cahitow, Leonardo Cremonese, Adam Cullen, Leah Fraser, Maria Ionico, Eva marosy- Weide, Angelica Mesiti, Ms. & Mr. (Stephanie and Richard nova Milne), Tom Polo,  Simon Power, and Leah- Nicole Torbay. As well as being represented in the category of finalists, two COFA Alumni are on the judging panel, Del Kathryn Barton and Andrew Frost.

The Blake Prize for Religious Art was established in 1951 and is the oldest prize in Australia dedicated to spirituality, religion and cultural diversity. It is a $20,000 annual non-acquisitive prize. This year there is also a new category, the Blake Prize for Human Justice. This new award, worth $5,000, will acknowledge and promote the work of artists who have addressed issues of human justice.
The 58th Blake Prize is awarded by the Blake Society Ltd in partnership with the National Art School. The Prize is named after the artist and writer William Blake.

COFA extends its congratulations on this commendable achievement.

WHAT: Finalist Exhibition, and Announcement of the Winner
WHEN: Thursday 3 September 2009. Exhibition continues to 4 October 2009.
WHERE: National Arts School Gallery

58th Blake Prize for Religious Art touring exhibition:
Delmar Trinity Gallery
144 Victoria Street
Ashfield NSW
12 January - 22 February 2010

Wagga Wagga Art Gallery
Cnr Bayliss and Morrow Streets
Wagga Wagga NSW
4 April - 1 May 2010

Gallery M
Marion Cultural Centre
Oaklands Park SA
20 June - 31 July 2010

Exhibition: I have forgotten more than you know

Posted in Events, Exhibition on August 25th, 2009

When: Thu, 27 Aug, ‘09 - Tue, 8 Sep, ‘09
Where: Gaffa Gallery, Level 1, 7 Randle Street, Surry Hills

The Murdering Island, Murrumbidgee River © Craig Bender 2009

The Murdering Island, Murrumbidgee River © Craig Bender 2009

Opening at Gaffa gallery is an exhibition of ‘silent’ photographic works by Tanya Baker, Craig Bender, Fiona Lowry and Pete Volich.

“Unveiling silence without interrupting it is a unique experience. History, experience, knowledge and fantasy all impact upon our notions of silence and cause reverberations that alter the space upon which we not only reflect but inhabit. What we see is not merely what is presented in front of us, it is our reflection and the image that we see. The image strikes us first and then it is revealed through our reflections. A silence with mutterings, a practice with history, this is civilisation in all its mystery. Here silent habitats confront us with a litter of refuse. Life’s little remnants, tainted and infused, highlighting scenes that now appear disengaged from their own history. What we see and reveal is up to us and here Fiona Lowry, Craig Bender, Tanya Baker and Pete Volich provide us with the opportunity to reframe our sense of place.”
- Adrian Davies

What: I Have Forgotten More Than You Know- Photographic exhibition
When: Opening Night Thurs 27th August 2009, Exhibition Runs from 28th August to Tue 8th September 2009
Where: Gaffa Gallery, Level 1, 7 Randle Street, Surry Hill

Exhibition: The Lake

Posted in Events, Exhibition on August 25th, 2009

When: Fri, 28 Aug, ‘09 - Sat, 10 Oct, ‘09
Where: ACP- 275 Oxford Street Paddington

Rebecca Dagnall,  Paradise in Suburbia #5 2009

Rebecca Dagnall, Paradise in Suburbia #5 2009

In this exhibition eight contemporary photomedia artists explore the exquisite strangeness of the Australian landscape. Many of these images have been created in and around Australian lakes - Lake Eyre, Lake George or the man-made lakes resulting from the damming of Tasmania’s rivers. But on another level, The Lake also serves as a metaphor for places that are at once seductive and dangerous, on whose mirrored surfaces our dark desires are reflected back at us. Exquisitely strange, the landscapes depicted in this exhibition speak as much about our own desires as the places they depict. The artists and curator of The Lake discuss their work and the broader ideas that unite them in this exhibition.
Artists include: Narelle Autio, Jane Burton, Rebecca Dagnall, Murray Fredericks, Alexander James, David Mackenzie and Craig Bender, David McDowell, Troy Ruffels and Martin Walch.

What: The Lake
When: Friday 28 August to Saturday 10 October
Where: Gallery 1&2, Australian Centre for Photography

What: The Lake artist floor talk
When: 1pm Saturday 29 August
Where:
ACP, 275 Oxford Street Paddington
Free Admission

Garduate Profile: Rochelle Haley

Posted in Alumni & Student Profiles, News on August 19th, 2009

Rochelle Haley

Rochelle Haley

Name: Rochelle Haley
Graduated: Graduated from COFA, UNSW, with a Doctorate in Fine Arts

Artist and COFA PhD graduate Rochelle Haley has returned to Australia briefly to attend the graduation for her Doctorate in Fine Arts. Haley has spent the past four months, out of a year long artists residency, at Rimbun Dahan, a centre for developing traditional and contemporary art forms in Kuala Lumpur, Malaysia.  Rimbun Dahan literally translates to ‘laden bough’ and as well as being a private home for well known architect Hijjas Kasturi and his wife Angela Hijjas, it has also been the residence, for year long periods, for many Malaysian and Australian artists for the past fifteen years.  At present Rimbun Dahn is also home to COFA graduate and painter Monika Behrens, choreographer Angela Goh, writer and poet Mike Ladd and collaborator Cathy Brooks, sculptor Dan Wollmering, painter Dadi Satiyadi and Samsudin Abdul Wahab.
The compound of Rimbun Dahan is 40 minutes outside of the city of Kuala Lumpur and is on land spanning 14 acres. Over the past fifteen years it has developed into a ‘laden bough’ as both a place of cultivation of artistic culture and conservation, being the only garden in Kuala Lumpur completely populated by indigenous species.
This is of particular interest to Haley as her practice deals primarily with the investigation of the relationship between the land, the body, and the representation of both, having recently completed a PhD thesis entitled “Land Incorporated: Moving Through the Landscape”. Employing experimental drawing techniques such as utilising the mediums of incised paper, etched mirror and ‘drawing’ with blades and carving into heavy white paper, Haley creates seemingly delicate artworks that require the viewer to negotiate light and texture. As subjects for her works Haley mainly focuses on landmarks of great cultural value and has shifted her interest from the Australian to the Malaysian landscape.
“When you fly over Kuala Lumpur you see lush green vegetation into the distance as it’s a country with lots of rain fall, but the closer you get, the landscape reveals itself as an expanse of palm oil plantations” explains Haley of her new environment.
Haley chose Ribun Dahan as she thought the residency would be a good opportunity to become familiar with Malaysian culture and contemporary art.
“Considering Malaysia is such a close neighbour of Australia I think it is important to build bridges between the two places… I see this as a rare opportunity to take a year outside of my ordinary Sydney based practice, experiment with new skills and develop some old ones,” says Haley.
Haley was also very attracted to the idea of a complex for artist, dancers, and choreographers all working closely together with the possibility of future collaborations.
Haley’s year long stay at Rimbun Dahan will culminate in an exhibition that is held annually in the underground gallery and in the gardens, with a selection of works being donated to the permanent collection, which consists of works all by former resident artists and shows the diversity of the Rimbun Dahan residency programme.
When asked about what will come after her stay at Ribun Dahan Haley goes on to say that another residency in Southeast Asia will be looked into, as she would like to further develop her links with the area.

For more information on Rochelle Haley: http://www.rochellehaley.com/
For more information on Rimbun Dahan: http://www.rimbundahan.org/home.html

COFA Talks: Aboriginal Art and Politics

Posted in COFA Talks, Events, Public Lecture on August 19th, 2009

When: Tue, 25 Aug, ‘09
Where: College of Fine Arts, cnr Oxford Street and Greens Road, lecture theatre: EGO2, 6:00 pm

The Ladies of Bigotbri Concerned Women's Association, 2005.

The Ladies of Bigotbri Concerned Women’s Association, 2005. Image courtesy of R. Dante Allas.

Aboriginal Art and Politics examines the complexities of the indigenous art scene, and a range of other issues facing indigenous artists in contemporary society, from two different perspectives. Djon Mundine, whose his Father is Bundjalang and Mother is Ngaku, speaks from within the indigenous community, while John von Strurmer discusses the topics as a white Australian.

Djon Mundine is a curator and art historian, originally from the Northern Rivers area of NSW. He is currently Indigenous Curator, Contemporary Art at Campbelltown Arts Centre. Mundine is well known as the concept curator of the permanent Aboriginal Memorial installation at the National Gallery of Australia and was awarded an OAM in 1993. Previous positions have included: Senior Curator, Gallery of Aboriginal Australia, National Museum of Australia, Senior Curator of Aboriginal & Torres Strait Islander Programs, MCA, and Art Adviser for the Ramingining Community of Central Arnhem Land.

John von Sturmer is an anthropologist with a particular interest in Aboriginal art. Fieldwork in the western Cape York Peninsula formed the basis of his PhD research. In 1970 he was appointed the first lecturer in Aboriginal Studies at the University of Queensland, in association with the Australian Institute of Aboriginal Studies, Canberra. In the 1970s, he was active in the promotion of Aboriginal dance and ceremonial life. In more recent years, he has been involved in negotiating the nexus between government, big business and traditional owner groups.

The Ladies of Bigotbri Concerned Women’s Association (aka Tess Allas and Lina Kastoumis) are a tongue in cheek comedy duo who raise serious issues by taking the mickey in the guise of their alter egos Mrs Beryl Myers and Mrs Coral Henderson. Allas has a Bachelor of Creative Arts and a Masters in Curatorship and Modern Art. She currently works at COFA where she researchs and write biographies for the Storylines Project which are published on the Dictionary of Australian Artists Online. Kastoumis has worked extensively with emerging artists as an instructor, deviser and director at companies such as Shopfront, Sidetrack and Powerhouse Youth Theatre. She is currently Artistic Associate at Urban Theatre Projects.

When: Tuesday 25 August, 6:00pm
Where: COFA, Main Lecture Theatre (EG02)

FREE

For details on how to get to COFA and to navigate yourself around the campus, please visit: www.cofa.unsw.edu.au/about/location/

COFA Spring Fair 2009

Posted in 2009 COFA Spring Fair, Events on August 17th, 2009

COFA SPRING FAIR Saturday 19 September 2009

When: SATURDAY SEPTEMBER 19, gates open at 10 am
Where: COFA UNSW

The COFA SPRING FAIR 2009 is just around the corner. On Saturday 19 September 2009 COFA will once again open its doors to the public to celebrate art, design and multi media in a multitude of activities in a carnival atmosphere.

The COFA SPRING FAIR is the perfect opportunity for the community and curious prospective students to visit our campus, located on the corner of Oxford St and Greens Road in Paddington.

This year the program promises even bigger and brighter events, markets, and entertainment including:

  • FINE ART AND DESIGN MARKETS: COFA’s annual Fine Art and Design Market is bigger and better than ever! This year COFA hosts, not one but two, vibrant marketplaces. Current students and recent graduates take over the campus to show off their talent and sell their wares. Check out an amazing range of affordable, genuine handmade artworks and clever gifts including original paintings, prints, photography, jewellery, unique greeting cards, screen printed T-shirts and fashion accessories.
  • EXHIBITIONS: including Art and the Environment - Studies in the Field at COFAspace, The Tim Olsen Drawing Prize at Kudos Gallery, REAL Emergency at the Ivan Dougherty Gallery and student works on display throughout the campus.
  • OPEN STUDIO TOURS: Interested in coming to COFA to start your creative career? Or just keen to see what COFA is all about? 
Let our friendly staff guide you through stunning student exhibitions and see art, design and media works being created as you watch. COFA staff and students will be on hand to chat about the many dynamic degree programs we offer. F Block, Ground Floor, 11am, 12pm, and 1pm.Special Post-Grad Tour
    Thinking of starting your second degree? This tour is specially tailored for potential post graduate students.
    F Block, Ground Floor, 2pm.
  • ENTERTAINMENT AND EATS: 2SER DJs and DJs Mikey Inglis and Tyson Koh will spin invigorating tunes in the market areas.
    For the hungry and thirsty: coffee, cold drinks, cupcakes and savoury snacks will be available all day. At lunch time, grab a bite to eat from COFA’s Tuk Shop and relax to quirky, laid-back acoustic tunes by Tori and Callum.
  • COURSE INFORMATION:  COFA offers a wide range of undergraduate and 
postgraduate degrees in art, design, media, art education, art administration and art history. Pop into the student centre to pick up a prospectus or to make an enquiry. Student Centre, B Block, Ground Floor.

When: SATURDAY SEPTEMBER 19, gates open at 10 am
Where: COFA UNSW

Click here for details on location and a map of the campus
Entry via the Greens Rd entrance

Rug up

Posted in Events, Exhibition, News on August 12th, 2009

Rug up winning rug Old and Funky by Ruby Pritchard

Rug up winning rug Old and Funky by Ruby Pritchard

COFA student and designer, Ruby Pritchard, has won the Rug up project with her rug entitled Old and Funky, made for the Lace Study Centre, The Powerhouse Museum, Sydney.

The project Rug up showcases rug designs by leading contemporary and emerging artists and designers. It is the result of a collaboration between COFA, the company Designer Rugs and the Historic Houses Trust of New South Wales (HHT). The exhibition emerged out of an industry-linked project for third-year students majoring in textiles as part of the Bachelor of Design program at the School of Design Studies, COFA.

From the 60 design concepts submitted by students, five were selected for production; being Sabina Adamski, Diya Dasgupta, Wendy Wan Yin Leung, Ruby Pritchard and Chloe Want.
‘Old and funky from the Hybrid lace range is a contemporary analysis of lace inspired by its traditional form as a soft white fabric constructed on a mesh backing. My aim is to provoke a sense of mystery and intrigue that generates an alluring presence, drawing people into a world of knowledge, the Lace Study Centre. I have created lace-like designs from contemporary motifs for shock value and to forge a connection between contemporary society and the traditional subject.’ - Ruby Pritchard.

Designer Rugs was established in 1986 and is committed to design excellence and the mentoring of student designers in Australia. The Rug up project is an opportunity for the company to gauge contemporary design ideas and to spot emerging talent among designers at the start of their careers.

The exhibtion ran from 10am–4pm, Thursday 30 July to Sunday 2 August 2009, at the Ballroom in Government House Sydney.

Live Futures 2020: A World of Convergence

Posted in Events, Exhibition, Public Lecture on August 10th, 2009

livefutures2020

Live Futures 2020: A World of Convergence is a futures festival which is in it’s third year, with previous festivals covering the themes of A World Without Borders and A World with Possibility.  The festival looks to explore possible futures and technology with artist, scientists, climate experts, students, performers and anyone else interested in what the future may hold and how we can create a better future together.  This years festival, A World of Convergence, COFA and UNSW students are being asked to participate in an experimental collaboration project between practitioners, artists and designers from COFA and UNSW with scientists, technologists and researchers from Academia and Industry. The idea is for a collaboration to form in these pairings resulting in a creative work embodying the knowledge, skills and creativity of the collaborators.

The timeline of the collaboration will be over 6 - 8 weeks with resultant works being selected and curated into an exhibition held over Science Week (August 15 - 23, 2009) as part of Live Futures 2020: A World of Convergence festival. The event will run on 15 th August 2009 at the College of Fine Arts, Paddington Campus, corner of Oxford Street and Greens Road.

This year’s Live Futures 2020 symbol is C as in Convergence, Collision, Community, Collaboration, Collusion, Collection, Communication, Celebration …

Fore more information and list of events visit: http://livefutures2020.com/about/

The College Voice: Vol. 7, Iss. 1

Posted in News on August 5th, 2009
“Hillside After Burning Off”, by Idris Murphy 2006/7, Acrylic and collage on board 91 x 90 cm, courtesy of King Street Gallery on William and Randi Linnegar.

“Hillside After Burning Off”, by Idris Murphy 2006/7, Acrylic and collage on board 91 x 90 cm, courtesy of King Street Gallery on William and Randi Linnegar.

The College Voice Volume 7 Issue 1 is now live and accessible from the ARC website http://www.arc.unsw.edu.au/Publication.aspx?id=5.

The College Voice is COFA’s online arts magazine and has been published online now for 7 years. Founded in 2002 by COFA graduate Séamus Byrne, it was originally called The Digital Biscuit. Now edited by Janis Lander, a COFA PhD candidate, it features fascinating interviews and articles generated by the COFA student community.
COFA students are invited to regard the magazine as an opportunity to express their feelings about the Arts. It is intended to be an online hub for the students of COFA, acting as a tool to investigate the wider Arts world whilst studying to become a part of that world.

The College Voice Volume 7 Issue 1 contains articles by Bronwyn Bailey-Charteris writing about COFA at the 53rd Venice Biennale; Juliana O’Dean reviewing I and Thou – A Retrospective of the Art of Idris Murphy; Janis Lander interviews Ian Howard on his life time body of work and how we/ it can make a difference; and Amanda Muscat interviews Sean Rafferty and Paul Greedy on the (The temporality of) perception.